The Elves and The Shoemaker
REVIEW in The Fine Times Recorder:
David Haworth’s adaptation of the Brothers Grimm story is mixed with more than a few other tales – Prince Charming, the Wicked Witch of the West and Puss in Boots amongst others put in an appearance – and there are delightful self-contained dramatizations of two rather less well known stories, The Stonecutter (a charming Japanese folktale) and The Brave Little Tailor, another from Grimm, which I well remember from my childhood learning-to-read days as Seven With One Blow.
The Elves and the Shoemaker is good, honest family entertainment, and, from the word go, we were enthralled. It had innocence and charm, there were a few naughty bits for the children, some enchanting special effects and it was seriously funny too – whacky just wasn’t the word!
The story had its moral dimension of course – the importance of kindness, generosity, optimism and hard work to list just a few, as well as being careful of what you might wish for as wishes can come true – as they did for the poor stonecutter. But none of this weighed the production down, which was as up-beat and heart-warming as one could possibly wish.
The company of three worked their socks off, playing numerous roles, we loved the rapport they had both between themselves and with their audience, the quick costume changes and the “deliberate” mistakes that were made, the frequent bursts of lively song (music composed by David Calais), the clever word play and the opportunities for audience participation – the dancing shoes, the emperor (he of the “new clothes”) and the business with the water pistol come immediately to mind, not forgetting the jolly audience participation song with its feel-good “sun shiny, shoe shining day” refrain.
To the delight of adults and children, the elves were portrayed in a number of different ways including the use of two or three different sets of puppets. For me, however, the most magical was when simple cut-outs were silhouetted against the shop window, something that brought back happy memories of those enchanting Lotte Reiniger animations that were shown on the BBC in the 1950s and 60s.
David Haworth is to be congratulated on directing and designing such an inventive, energetic and altogether engaging production, a perfect entertainment for a winter’s evening. Catch it if you can.
HANSEL and GRETEL
Hansel and Gretel. BumbleFly and Forest Forge Theatre Company, – ‘family show with bonkers DIY vibe’
Audience participation is fundamental to a Christmas show, so let's not question the number of sound effects we were called upon to provide as Hansel and Gretel lost their way in the deep dark woods.
We hooted, twittered, howled, whistled like the wind and made squelching noises - and one of our number was even hauled up to play the witch as the tiny cast finally ran into the logistical nightmare of too many characters for too few actors.
All part of Bumblefly's madcap fun, which Bumblefly director Dom Phillips - who also co-directed the show with writer David Haworth, as well as performing, playing guitar and handling the technical and stage management side of the show - feels is an essential part of community theatre.
Hansel and Gretel is a collaboration with Forest Forge Theatre Company with whom Phillips and Haworth, who also designed the pretty picture storybook setting, have long been associated.
This has all the hallmarks of a Forest Forge Christmas show, but with a slightly bonkers DIY vibe that is enormously appealing.
Anna Harriott and Clive Holland throw themselves into numerous roles with gusto, with any gaps filled in by Phillips and a number of beautifully crafted puppets, courtesy of Karolina Czyz.
Verdict - 3 Stars
Fun family show combines traditional storytelling with a bonkers DIY vibe
Review: Lesley Bates The Stage.